Sunday 12 December 2010

How Bees see the World


Database shows how bees see world in UV
By Neil Bowdler Science reporter, BBC News
Creeping Zinnia as we see it (left) and with UV shades made visible (right). The petals clearly appear two-toned to bees, the concentric colours drawing them towards the nectar Creeping Zinnia as we see it (left) and with UV shades made visible (right). The petals appear two-toned to bees, the concentric colours drawing them towards the nectar

Researchers are being offered a glimpse of how bees may see flowers in all their ultra-violet (UV) glory.

The Floral Reflectance Database (FReD) was created by researchers at Imperial College London and Queen Mary, University of London.

It enables researchers to "see" plant colours through the eyes of bees and other pollinating insects.

Bees have different colour detection systems from humans, and can see in the UV spectrum.

Details of the free database are published in the open-access journal PLoS ONE.

"This research highlights that the world we see is not the physical or the 'real' world - different animals have very different senses, depending on the environment the animals operate in," said Professor Lars Chittka from Queen Mary's School of Biological and Chemical Sciences.

"Much of the coloured world that's accessible to bees and other animals with UV receptors is entirely invisible for us. In order to see that invisible part of the world, we need this special machinery."
How a cactus appears in UV light How a cactus appears in UV light

The researchers collected what's called "spectroreflective" measurements of the petals and leaves of a large number of different plants. These measurements show the colour of plants across both the visible and invisible spectrum.

Users of the database can then calculate how these plants appear to different pollinating insects, based on studies of what different parts of the spectrum different species see.

Scientists have inferred what colours insects see by inserting microelectrodes into their photoreceptors, and by using less invasive behavioural studies.

Seeing the world as insects may see it can reveal "landing strips" which are invisible to the human eye. These act to guide insects to the nectar they feed on.

These landing strips might take the form of concentric circles of colour or dots.

"Quite often, you will find in radial symmetrical patterns that there is a central area which is differently coloured. In other flowers there are also dots in the centre which indicate where there is basically an orifice for the bee to put in its tongue to extract the goods."
Greenhouse use

But what is the point of such a tool beyond giving researchers an insect's view?

Professor Chittka says seeing these invisible colours may have commercial applications in the greenhouse and beyond.

"Every third bite that you consume at the dinner table is the result of insect pollinators' work. In order to utilise insects for commercial pollination purposes, we need to understand how insects see flowers.

"We need to understand what kind of a light climate we need to generate in commercial glass houses to facilitate detection of flowers by bees."

Co-author Professor Vincent Savolainen, from Imperial College London, says the database also offers us new perspectives on how plant colour evolved.

"We hope this work can help biologists understand how plants have evolved in different habitats, from biodiversity hotspots in South Africa to the cold habitats of northern Europe," he says.

"FReD's global records may show how flower colour could have changed over time, and how this relates to the different insects that pollinate them, and other factors in their local environment."

via Guy Morgan

Tuesday 7 December 2010

Bee there

Fri, 17 December, 7:30pm – 10:00pm

Rymer Auditorium, University of York, York

Celebrating the bee in science and art

The Bee Symphony: http://www.york.ac.uk/concerts/programme/thebeesymphony/

The evening is for people to become immersed in the sounds and rhythms of bees. In addition to The Bee Symphony, the programme will feature other sound performances and talks by scientists on current research on bees and the current perils that they face. Tickets: £10 (concessions £8); students. £3

via York in Transition

Guy Morgan

Thursday 18 November 2010

Wayne McGregor: Performance and Science

From The Independent:
McGregor's company's latest dance work, Far, which opens at Sadler's Wells tonight, is an unlikely assemblage of souls.

With Far, the Stockport-born choreographer has taken his insatiable curiosity about the "technology of the dancing body" one step further, overseeing a sophisticated interdisciplinary collaboration that could have significant implications not only for his choreography, but for certain aspects of cognitive science itself.

"We've always done ourselves a big disservice in dance by saying that it isn't an intellectual art form, but one of instinct," he tells me. "Of course, instinct plays into the way we generate and perform choreography, but I've always been fascinated by what's going on with the physical thinking; not only when performing, but in actually creating movement. What are the models by which imagination is constrained? What is this relationship between the brain and the body? And what would happen if you corrupted the messages from the brain to the body, to try and make somebody dis-coordinated, un-coordinated; the antithesis of what you usually do with choreography, which is all body-perfect, body-beautiful?"

http://www.independent.co.uk/arts-entertainment/theatre-dance/reviews/wayne-mcgregor-giant-leaps-in-the-studio-ndash-and-in-the-lab-2135922.html

Hondartza

Monday 15 November 2010

Art and Science in Aberdeen

From the BBC website:
An exhibition inspired by Viking life has opened in Aberdeen.

Exposure is a sound and light installation at Satrosphere and runs until 6 December.

Studies of soil samples dated up to one thousand years old at a Norse settlement in southern Greenland gave clues to the harsh life experienced by settlers at the time.

Dr Paul Adderley, environmental scientist at the University of Stirling, worked with composer Dr Michael Young of Goldsmiths, University of London.
Dr Adderley, of the University of Stirling's School of Biological and Environmental Sciences and who collected the soil samples, said: "Our installation is a live computer-generated performance.

"We combine visual information gained from a forensic examination of soils from old settlements, with an understanding of how Greenland's environment has changed. The everyday farm life of the Viking settlers is used to create the synthesis of the sounds heard.

"Michael and I hope that the work will cause the audience to reflect on the nature of these past communities and the extremes of environment which were faced by Viking settlers who arrived in Greenland over a thousand years ago."

Dr Young, who set images of the samples to music, said: "This project is a completely innovative science/art collaboration. The installation brings together analytical photographs with environmental recordings, Saga readings and many other sound sources. The audio and visual components are re-shaped and presented in real-time, by a custom-designed computer system."

See more on Groundbreaking

Guy Morgan

Monday 27 September 2010

NASN Website

The new website for Northern Arts and Science Network is now ready, please visit:
www.northernartsandscience.com

Thank you,

Hondartza Fraga
Project Manager
NASN

Thursday 2 September 2010

Susan Timmins: Not Writing, Drawing


Crescent Artspace, 14/15 Queen Street, Scarborough
Preview: 7 - 9pm
10 September 2010
Open: 11am - 4.30pm,
Thurs/Fri/Sat 11, 16-18, 23-25 September 2010
An accompanying text by Crescent Arts Director Stuart Cameron can be read on crescentarts.co.uk

Saturday 21 August 2010

Emma Jane Barnsley

Emma Jane Barnsley's show of paintings at the Back o’ the Shop Gallery Terrington is an example of art inspired by science which is worth seeing if you're passing by and has very strong resonances for me as I work with art and microscopes . In the York Press she says:

“Life grows out of darkness, destruction and disease; life always finds a way, a re-route, an escape,” says Emma, introducing her work at the Terrington gallery.

“I’m inspired by linear patterns and textures caused by processes and occurrences in the natural world. I draw reference from aerial photography of the earth’s landscape, such as intricate river networks, glaciers, root systems and eroded surfaces, and I’m also drawn to microscopic images of cell structures and membranes found in plants, neurology, and biology.”

Her new paintings are expressive interpretations of the patterns in nature that inspired her, choosing to abstract and distort them instead of recreating them.

“In effect I’m attempting to create visual hybrids derived from nature. I achieve this through pouring, drizzling and scraping the paint over the canvas and watching the variety of effects that occur. By doing this, I allow the paintings take on a life of their own.”

Emma’s exhibition runs from Tuesday to August 31; opening hours are Tuesday to Saturday, 10am to 4pm.'

Sally Lane-Morgan

Sunday 1 August 2010

More Science with choirs

Material World (BBC R4) on July 29 carried an item on bees (the art bit is about 15 mins in) :
"Honey bees are in danger, and colonies are collapsing around the world. Norman Carreck at the University of Sussex is trying to mate bees from different colonies to improve disease resistance – some bees are more hygienic than others and may be able to protect colonies from pests.
Norman presented his work at this week’s Royal Entomological Society meeting in Swansea. Also there was local artist Owen Griffiths who was shortlisted but didn’t make the final of So You Want To Be A Scientist. But that hasn’t deterred him and his colleague Fern. Their idea of commissioning a piece of music for a choir, based on the sound of bees, and performing it to hives to measure any impact on yield or behaviour, received its world premiere on Tuesday.
There are more singing events at Swansea University on Friday August 6th at 6pm and Monday August 9th at 6pm if you want to go along."


Guy Morgan

Tuesday 27 July 2010

Science on stage

Don't know if anyone else caught Why does theatre plus science equal poor plays? in The Guardian, but it's an interesting trundle through the potential difficulties of creating drama out of science or scientific ideas. The debate continues in the comments posted, but does anyone know of any dramatists in the North who've tackled Science as a subject recently?

Guy Morgan

Tuesday 13 July 2010

Tapestry maps diffraction pattern

BBC News picture July 13 2010.

Click on the link to see a tapestry that maps the lines of what claims to be the world's biggest diffraction pattern. The original was obtained at the UK's Diamond Light Source synchrotron in 2008. More than 5,000 people added stitches to the tapestry, which was designed by textile artist Anne Griffiths.

Monday 12 July 2010

Choir to sing the 'code of life'

"Scientists and composers have produced a new choral work in which performers sing parts of their own genetic code." Story from BBC News Saturday July 10th

Wednesday 7 July 2010

Interesting stuff out in the Ether and in the tangible world

As someone who grew up with speech radio so much that I was compelled to work in it, I tend to listen to a large number of programmes and consequently appear much better informed than I really am.
If you're interested in keeping up with Big Ideas, there's a lot of stuff available, courtesy of the BBC. Radio 4's Science programmes are often available on podcast which means you can cram a lot of dense information into a tiny space until your head explodes. Then there's www.bbc.co.uk/science/ plus a lot of very high mental fibre on Radio 3's Night Waves for example a long interview with oceanographer Sylvia Earle
Radio 5 Live carries podcasts from the Naked Scientists, and The World Service has Science in Action, also Digital Planet carried an interview with Sheffield University's Professor Robertus von Fay-Siebenburgen, who's recorded the sound of the Sun. Plus the discussion programme The Forum frequently brings artists, philosophers and scientists together to talk about parallels with each other's work. Another bonus is that many of these factual programmes have a longer shelf life on the BBC i-player than the usual seven days.

If you happen to be in York, Susan Stockwell's Flood is currently on at York St Mary's - it's a waterfall of discarded computer parts pouring down from the ceiling vault and if you want to know how it was built, there's a five minute time lapse video tucked away behind it. You can read about it in the York Press or see more about Susan Stockwell at www.susanstockwell.co.uk
Now if you'll excuse me, I've at least seven podcasts to listen to...............



Guy Morgan

Monday 5 July 2010

Welcome to the Northern Arts and Science Network

Welcome to the Northern Arts and Science Network, a group of artists and scientists seeking to find common ground between their two disciplines. It's a continuation of the work of Hybrid www.hybrid-art.co.uk/ which culminated in an exhibition in Sheffield in February and a symposium in Leeds in March.
The blog exists for members to swap ideas and think about the theory and the practice of exploring Science through Art and making Art inspired by Science. We also want to make links within and outside the North of England and would like to hear from artists and scientists within the region who are working together or want to find someone to collaborate with.